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Victor Cordell

Victor Cordell

June 29, 2016 Victor Cordell

Victor Cordell writes theater and opera criticism for online publication. A retired international banker and professor, he has been a life long theater and opera lover who has gravitated to live performance wherever he has lived, including New York, London, Hong Kong, Sydney, Houston, the Bay Area, and more. He is a member of the San Francisco Bay Area Theatre Critics Circle and the American Theatre Critics Association and is an adjudicator for Theatre Bay Area. He currently serves on the board of directors of Island City Opera (in Alameda), his third small opera company board appointment. He formerly sat on the board of Cutting Ball Theater.


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Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
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  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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