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Susan Dunn

Susan Dunn

July 5, 2016 Susan Dunn

sdunnSusan Dunn finds a community, inspiration, revelation and joy in Bay Area live theater. Since her move from New York in 1991 she has been on the board or staff or both of Hillbarn Theatre, Altarena Playhouse, Berkeley Playhouse and Virago Theatre. Favorite roles include Producer for CABARET and Stage Manager for MERRILY WE ROLL ALONG at Altarena Playhouse. She has also helped to birth several new productions in San Francisco and San Jose for local playwrights. Susan currently indulges her passion for live theater full time as Staff Historian at Altarena, and Development Director and Stage Manager for Island City Opera in Alameda. She delights in the ever-changing variety of theater companies and venues all over the Bay Area, and is associated with several local play writers and play readers associations. In recognition of her achievements and contributions impacting the arts community and residents of Alameda County, she has been announced as one of the recipients of the Alameda County Arts Commission’s 2015 Alameda County Arts Leadership Awards.


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Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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