Theatrius Archive
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius Archive

Archive for Theatrius.com

“The Resting Place” Exposes Horrifying Family Secrets, at Magic Theatre, S.F.

“The Resting Place” Exposes Horrifying Family Secrets, at Magic Theatre, S.F.

October 23, 2018 Evelyn Arevalo

Millennial Notes

Ashlin Halfnight Questions Unconditional Love

by Evelyn Arevalo

“Even though I’m no more than a monster–don’t I, too, have the right to live?”   –Oldboy

“The  Resting Place” hit me in my gut. A family is brought together by tragedy, in the aftermath of a sudden suicide. We are thrust into the lives of two very headstrong sisters, take-no-prisoners Macy (stern Emily Radosevich) and self-righteous Annie (skillful Martha Brigham). They are forced to pick up the pieces after they discover that their late brother Travis committed a horrible act.

Although “The Resting Place” is not easy to swallow, it offers moments of cheer peppered with agonizing revelations. James Carpenter and Emilie Talbot, as father Mitch and mother Angela, capture parental suffering flawlessly. Angela becomes a modern day Madonna and jester, offering comic relief with her drunken antics. When she proudly proclaims that her husband is taking Viagra, we laugh until we realize it’s all part of her frustration.

Martha Brigham and Emily Radosevich. Photos by Jennifer Reiley

Playwright Ashlin Halfnight shows the sisters and parents struggling to maintain their love for their departed brother and son. Even though we never see Travis, we come to hate him. We see his victims in the form of timid Charles (charming Andrew Lebuhn). Charles tells us in shocking detail, what happened in dark rooms at summer camp. Travis’ former lover Liam (bold Wiley Naman Strasser) speaks fondly of  time spent with Travis, but admits Travis was infected with a terrible sickness.

“The Resting Place” reminds me of documentaries and TED talks where parents speak out about  a son who has committed a school shooting. How could they not know? Was there something they could have done? Halfnight creates empathy by allowing us to see Travis as a family member, rather than a monster–playing on our pity and anger. A simple image is seared into my mind:  the father, Mitch, slowly rolls up a red carpet and carries it out, as the stage undergoes a strange earthquake.

James Carpenter and ensemble

Not a single dry eye in the house, though we know Travis did unspeakable actions to those who were most vulnerable. Though Travis is a monster, we see his humanity through his family’s love for him. It’s not an argument about whether he’s guilty or not. Can we forgive those who stay behind to carry the blame? “The Resting Place” is intoxicating and powerful, I could not look away.

Ashlin Halfnight leaves us questioning our ability to unconditionally love one another.

 

“The Resting Place” by Ashlin Halfnight, directed by Jessica Holt, at Magic Theatre, Fort Mason Center, San Francisco, through Sunday November 4, 2018. Info: magictheatre.org

Cast: James Carpenter, Emilie Talbot, Martha Brigham, Emily Radosevich, Wiley Naman Strasser, and Andrew Lebuhn.


Millennial Notes, Plays
family drama, secrets, suicide, tragedy

Post navigation

NEXT
“Hedda Gabler” Surprises and Charms, at Pear Theatre, Mountain View
PREVIOUS
“Women Laughing Alone with Salad” Gets Salty, at Shotgun Players, Berkeley
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

BLM

Black Lives Matter

Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

© 2025   All Rights Reserved.