Theatrius Archive
  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!
  • Search Icon

Theatrius Archive

Archive for Theatrius.com

“People’s History of Next”—Young Eyes, Epic Vision, at TheatreFIRST, Berkeley

“People’s History of Next”—Young Eyes, Epic Vision, at TheatreFIRST, Berkeley

December 11, 2018 Barry David Horwitz

Jon Tracy Premieres Prophetic Youth Project

by Maya Rath and Barry David Horwitz

When we walk into Live Oak Theatre, it looks like a construction site. We see walls lined with giant plastic tarps hanging from ceiling to floor. Two giant metal scaffolding towers stand at either side of the plastic-draped stage. Multimedia projections, sound effects, and lighting add a sci-fi aura to the show.

Three teen performers appear: Leela Kiyawat, Unity Tambellini Smith, and Justin Howard. They play Dee, Tara, and Anton, who are the sole survivors of the end of the world. They say they “might be the last people on earth.” At times, all three say their lines in unison and other times, they interrupt and talk over one another without losing a beat.

Justin Howard, Leela Kiyawat, & Unity Tambellini Smith. Photos by Jay Yamada

Each performer begins with her/his own story and home life: one African American, one Indian, and one Jewish. Slowly, each survivor becomes aware of the others. They work together to find out who else may have survived. Their moving and poetic language makes them both individuals and recognizable types.

In the old world of their parents, the teens took on gun violence and environmental destruction. Now, they have become the “new architects of humanity.” In this extended epic poem, we see the end of the world through the eyes and hearts of three superb young actors. When the beautiful Awele in a white gown enters, she plays The Woman of Irredeemable Hope who offers dreams to the young wanderers.

Unity Tambellini Smith

Director Jon Tracy asks apocalyptic questions: “What would happen if all the adults died of grief? What would the youth do with the future of the world?” Many local students have contributed to “The People’s History of Next.” TheatreFirst’s ambitious 8-month project, facilitated by writers Awele, Anthony Clarvoe, and Cleavon Smith, is written by “Everybody.”

“History of Next” is lyrical and engaging, with some slower moments. The actors us silence to great effect. They remind us of the students who speak out after Parkland. When Dee gets up on the scaffolding and drives a truck into the wasteland, she finds children–or, does she? The sequence feels long, but she brings her discoveries back to the others in a touching reconciliation.

Leela Kiyawat

In spotlight moments, Justin Howard elegantly deals with video projections of his remembered father. Each of the three talented actors turns in a stellar performance. Director Tracy promises patrons they can return to see the show evolve–all on the same ticket.

Congratulations to TheatreFirst for reaching out to students, schools, and artists. And thanks for letting us hear and understand the voices of our youth.

Justin Howard

“The People’s History of Next” written by Everybody, facilitated by Awele, Anthony Clarvoe, and Cleavon Smith, directed & arranged by Jon Tracy, by TheatreFirst, at Live Oak Theater, Berkeley, through Saturday, December 22, 2018. Info: theatrefirst.com

Cast: Awele, Justin Howard, Leela Kiyawat, and Unity Tambellini Smith.


Plays
Apocalypse, community, crisis, despair, End of Days, environment, gun control, hope, kids, teens, youth

Post navigation

NEXT
“Arcadia” Paints a Bleak, Loveless Future, at Shotgun Players, Berkeley
PREVIOUS
“Avenue Q” Spices Up the Holidays, at NCTC, S.F
Comments are closed.

Menu

  • Now Playing
  • All Reviews
  • Writers
  • Reflections
  • Millennial Notes
  • Join Us
  • About Us
  • Visit us on Instagram!

BLM

Black Lives Matter

Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

About us:

If you want to see the best plays & performances around the San Francisco Bay or beyond, read our reviews. We promise to give you a true report on the best shows.
Bay Area Critics Circle

Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

© 2025   All Rights Reserved.