Josh Kornbluth Takes No Prisoners, Connecting Private & Public by Robert M. Gardner On Friday, August 15, at The Marsh in Berkeley, we were thrilled to attend a work-in-progress improvisation of Josh Kornbluth’s “What Is To Be Done? Fighting Fascism and Depression.” An eager full house testified that Josh’s latest show already has the…
Lorraine Hansberry’s Final, African Play Rocks the House by Robert M. Gardner OTP has scored a timely hit with its new production of Lorraine Hansberry’s “Les Blancs.” The cast of eight Black women, playing both male and white roles offers a powerful vision that challenges false narratives and our long-held prejudices. Hansberry left the…
Luis Alfaro’s Epic Speeds from Aztec Splendor to U.S. Sacrifice by Robert M. Gardner “Aztlán” covers centuries of Aztec and Mexican stories, spanning thousands of miles from ancient Aztlán and the temple of Teotihuacan to Tulare in California. The time travel between kingdoms in Mexico and the Central Valley becomes a whirlwind which boggle…
Kathryn Seabron Reveals the Rise of MYSOGYNOIR by Robert M. Gardner Kathryn Seabron’s unique solo show is rooted in an incident she had with the Human Resources Officer at the non-profit where she worked. Ultimately, we learn that a fellow white, female worker has brought a funny and frivolous complaint against Seabron. When we…