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Author

Robert M. Gardner

Posts by Robert M. Gardner

“The Afterlife” Takes on Murder & Suicide, at Flight Deck, Oakland

“The Afterlife” Takes on Murder & Suicide, at Flight Deck, Oakland

March 23, 2020 Robert M. Gardner

Gary Soto Pens Play for Latinx Teens in Distress  by Robert M. Gardner In Gary Soto’s “The Afterlife,” two Fresno teenagers, Chuy and Crystal, die in the opening minutes. Chuy is murdered for an unintended slight, and Crystal kills herself. They are the victims of an alarming spike of teen deaths from violence and…

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“Memphis” Celebrates 50s Song & Dance, at Berkeley Playhouse

“Memphis” Celebrates 50s Song & Dance, at Berkeley Playhouse

March 7, 2020 Robert M. Gardner

Bryan & DiPietro Passionately Pit Rock n’ Roll vs. Racism by Robert M. Gardner In “Memphis,” exciting music and dance move the soul. Under the inspired direction of Director Brendan Simon, “Memphis” offers non-stop entertainment. We are quickly caught up in the beautiful songs and intricate dance moves by the talented ensemble. Set in…

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“The Trial” Honors Black History with a Twist, at African-American Shakes, S.F.

“The Trial” Honors Black History with a Twist, at African-American Shakes, S.F.

February 23, 2020 Robert M. Gardner

Karani Marcia Leslie Johnson Strips Black Stereotypes Bare by Robert M. Gardner Karani Johnson pulls no punches in her hard-hitting exposè of Black stereotypes. We know well the history of  white oppression since , but her “The Trial of One Short-Sighted Black Woman vs. Mammy Louise and Safreeta Mae” reveals  Black people’s prejudices against…

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“The Devil’s Music” Brings Down the House, at Center REP, W.C.

“The Devil’s Music” Brings Down the House, at Center REP, W.C.

February 1, 2020 Robert M. Gardner

Katrina Lauren McGraw Scores Triumph as Bessie Smith by Robert M. Gardner As the saxophone player (smooth Ric Alexander) steps center stage, he coaxes soulful notes and seductive rhythms to the tune of “St. Louis Blues.” We are thrilled as diva Katrina Lauren McGraw channels Bessie Smith, the Empress of the Blues, and sings…

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  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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