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Jennifer Charron

Posts by Jennifer Charron

“Antony & Cleopatra” Radiates Ambition in World Premiere—at SF Opera

“Antony & Cleopatra” Radiates Ambition in World Premiere—at SF Opera

September 18, 2022 Jennifer Charron

John Adams Delivers Jam-Packed Journey into Empire by Jennifer Ann Charron Commissioned for San Francisco Opera’s Centennial Season, John Adams goes above and beyond with “Antony and Cleopatra”—an ambitious work of art with a world-renowned cast, a complicated and brilliant score, and the world-class staging that SF Opera does best. While Adams’ new work…

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“Ariane & Bluebeard”: A Harmonic & Opulent Opera—at West Edge

“Ariane & Bluebeard”: A Harmonic & Opulent Opera—at West Edge

July 26, 2022 Jennifer Charron

Paul Dukas’ Opera, Directed by Alison Pogorelc, Asserts Women’s Wisdom by Jennifer Ann Charron Beginning with Paul Dukas’ lush opera, director Alison Pogorelc delivers a gorgeous and deeply clever production—imparting her own interpretation, as well as allowing us room to choose our own. Pogorelc’s unique talent challenges us to engage—desperately needed in today’s operas….

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“Dream of the Red Chamber” Wins a Place in Operatic Canon—at SF Opera

“Dream of the Red Chamber” Wins a Place in Operatic Canon—at SF Opera

June 16, 2022 Jennifer Charron

Bright Sheng—A Brilliant, Innovative Composer for Our Time by Jennifer Ann Charron Bright Sheng’s score of Dream of the Red Chamber is one of the most dynamic, yet sumptuous pieces of music I have heard. He blends western and eastern musical traditions and sounds in innovative ways. Chinese folk tunes morph into lush, multi-dimensional…

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“Don Giovanni” Carries the Night in New Production—at SF Opera

“Don Giovanni” Carries the Night in New Production—at SF Opera

June 13, 2022 Jennifer Charron

Michael Cavanagh’s Reimagined Version Entertains & Bewilders by Jennifer Ann Charron Mozart’s Don Giovanni is nonpareil—a masterpiece with an amazing score, jam packed with beautiful arias, duets, and recitatives, and a creepy cautionary tale to keep your morals in check. When Mozart was at his creative height, he collaborated with poet Lorenzo Da Ponte…

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  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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