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Theatrius Archive

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Author

Jennifer Charron

Posts by Jennifer Charron

“Transfers” Sensitively Spotlights Education Inequality, at Crowded Fire, S.F.

“Transfers” Sensitively Spotlights Education Inequality, at Crowded Fire, S.F.

March 8, 2019 Jennifer Charron

Lucy Thurber Exposes Elite College’s Idea of “Inclusion” by Jennifer Ann Charron                                                             “Transfers” by Lucy Thurber plunges us into the world of college admissions where an ‘elite’ private school struggles to include students from the inner city. At the frontline of the equality wars, funny and flawed educators decide who gets in and who…

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“After Miss Julie”─A Fiery Collision of Class & Sex, at Main Stage West, Sebastopol

“After Miss Julie”─A Fiery Collision of Class & Sex, at Main Stage West, Sebastopol

February 23, 2019 Jennifer Charron

Patrick Marber Exposes Tyranny of the One Percent by Jennifer Ann Charron “After Miss Julie” explores the clash of class and sex in a bedlam of emotions in 90 swift minutes. Patrick Marber’s redo of August Strindberg’s tragedy “Miss Julie” moves from 1888 Sweden to 1945 England, on the night of the Socialist Labour…

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“Paradise Square” Celebrates Song & Dance in Civil War Manhattan, at Berkeley Rep

“Paradise Square” Celebrates Song & Dance in Civil War Manhattan, at Berkeley Rep

January 14, 2019 Jennifer Charron

World Class Musical Shows Black & Irish Lives Matter by Jennifer Ann Charron It’s rare to witness a momentous new musical.  My shoulders clench and my jaw drops, like a dumb-struck child. That’s me watching “Paradise Square: A New Musical” that tells the history of Black and Irish people living together in Manhattan—just before…

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“Great Expectations”: Frenetic Dickensian Coming of Age, at Town Hall, Lafayette

“Great Expectations”: Frenetic Dickensian Coming of Age, at Town Hall, Lafayette

December 5, 2018 Jennifer Charron

Gale Childs Daly Delivers Hope of Resurrection from Chaos by Jennifer Ann Charron Most of us are familiar with Great Expectations─Charles Dickens’ Victorian novel about a boy who sells his soul to move up the social ladder. Gale Child Daly’s adaptation suffers, like Pip, the hero, from an off-kilter GPS and chaotic staging. Great…

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Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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