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Author

Patricia L. Morin

Posts by Patricia L. Morin

“Twelfth Night” Shines New Light on Shakespeare Comedy—at Marin Shakes

“Twelfth Night” Shines New Light on Shakespeare Comedy—at Marin Shakes

August 9, 2023 Patricia L. Morin

 Bridgette Loriaux Spotlights Woman Power & Identity by Patricia L. Morin Walking into the Forest Meadows Amphitheatre at Dominican University, I eyed rows upon rows of wooden seats surrounding an eye-popping stage design. As a soft breeze scattered leaves, I felt like I just had just stepped back centuries into a Shakespearean theater. Set…

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“A Chorus Line” Electrifies the Stage!—at S.F. Playhouse

“A Chorus Line” Electrifies the Stage!—at S.F. Playhouse

July 9, 2023 Patricia L. Morin

Michael Bennett Exposes Broadway Dancers’ Anguish & Joy by Patricia L. Morin “A Chorus Line” engulfs the audience in radiant Broadway colors, exquisite dance steps, and magnificent songs—a legend in musical theater.  Marvin Hamlisch’s music and Edward Klieban’s lyrics live on in “One” and “What I Did for Love.” We still sing these songs…

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“Out Of Character” Highlights Anguish of an American Identity—at Berkeley Rep

“Out Of Character” Highlights Anguish of an American Identity—at Berkeley Rep

July 6, 2023 Patricia L. Morin

Ari’el Stachel’s Cultural Confusion Exposes Actor’s Fears   by Patricia L. Morin In “Out of Character,” Ari’el Stachel, 2018 Tony Award winner, pulls out all the stops. He unfolds his life as an actor in a dynamic, 90-minute memoir using creative stories, song, and dance. The 9/11 catastrophic event precipitated a major shift in Stachel’s…

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“The Dignity Circle” Questions Identity & Power—at Central Works

“The Dignity Circle” Questions Identity & Power—at Central Works

June 27, 2023 Patricia L. Morin

Lauren Smerkanich Exposes Manipulation of Emotions for Profit by Patricia L. Morin “The Dignity Circle” engages us from the first words spoken: “What would you do with 40,000 dollars?” Although not a massive amount of money these days, it is very enticing when your bank account nears zero and you depend on a spouse…

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Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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