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Theatrius Archive

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Author

Patricia L. Morin

Posts by Patricia L. Morin

“Dear San Francisco” Wows with Kaleidoscopic Acrobatics—at Club Fugazi

“Dear San Francisco” Wows with Kaleidoscopic Acrobatics—at Club Fugazi

February 28, 2023 Patricia L. Morin

The 7 Fingers Integrates S.F. History with Breathtaking Feats  by Patricia L. Morin Club Fugazi houses a majestic theater designed in 1913 by Italian architect Italo Zanolini as a community center for Italians living in North Beach. Art has breathed life into this charming old theater for generations. Most recently “Beach Blanket Babylon” played…

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“The Headlands” Highlights Gap Between Memory & Reality—at ACT

“The Headlands” Highlights Gap Between Memory & Reality—at ACT

February 19, 2023 Patricia L. Morin

Christopher Chen Creates a Complex Mystery by Patricia L. Morin “The Headlands” captures us in an inventive murder mystery that intertwines a dysfunctional Asian American family with questionable memories of a burglary gone wrong. Playwright Christopher Chan cleverly splits his play into the impact of the father’s death and the unreliability of remembrances. How…

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“Rumors” Runs Rampant with Slapstick Comedy—at Coastal Rep

“Rumors” Runs Rampant with Slapstick Comedy—at Coastal Rep

February 12, 2023 Patricia L. Morin

Neil Simon’s Humor Unfolds Folly of Misunderstandings by Patricia L. Morin Neil Simon’s hilarious play “Rumors” has found its comedic niche with Coastal Rep’s talented ensemble. In a world filled with adversity and fear, natural disasters and nuclear threats, swimming in a sea of hilarity offers the perfect holiday. Rumors is the funniest show…

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“Sidekicked” Portrays the Pain of Playing Second Banana—at Sonoma Arts

“Sidekicked” Portrays the Pain of Playing Second Banana—at Sonoma Arts

February 8, 2023 Patricia L. Morin

Kim Powers’ Solo Play Spotlights Versatile Vivian Vance’s Career           by Patricia L. Morin “Sidekicked” spotlights vibrant Vivian Vance’s feelings about playing down-to-earth Ethel Mertz, second fiddle to Lucille Ball on the I Love Lucy show. It is the last performance of the show. We are drawn into Designer Michael Ross’s realistic 50s Hollywood…

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Current Shows

  • “What Is To Be Done?” Fights Depression & Fascism, Brilliantly—at The Marsh
  • “Twelfth Night or, What You Will” Highlights Our Humanity—at The Public
  • “The Tempest” Mixes Magic, Old Feuds, & New Love—at Marin Shakes
  • “The Return” Investigates Repression & War—at Golden Thread
  • “Some Things You Should Know About My Mom” Summons the 60s—at Exit
  • “Scat-ter Brain: The Music of ADHD” Celebrates Spontaneity—at The Marsh
  • “The Return” Reveals the Cost of Forbidden Love—at Golden Thread
  • “Home?”: Palestinian Woman Enacts Her Amazing Story, Brilliantly—at Z Space
  • “Jurassiq Parq, A Musiqal Parody”: A Wild Joy Ride!—at Oasis
  • “Night Driver”: Hong Kong Princess Navigates S.F. Queer Scene—at The Marsh
  • “The Magnolia Ballet”: A Bold, Black Father-Son Love Story—at Shotgun: Video to Sept. 6
  • “Les Blancs” Delivers the Truth about Colonialism—at OTP
  • “Execution of Justice” Exposes the ‘Twinkie’ Defense—at Chautauqua
  • “Les Blancs” Exposes Hypocrisy of Imperialism—at OTP
  • “Into the Breeches!”: Wartime Women Take Center Stage–at Masquers

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Barry David Horwitz, Editor of Theatrius, is a Voting Member of the San Francisco Bay Area Theatre Critics' Circle, SFBATCC.

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