Banner photo: Tina D’Elia as Lupe Vélez Tina D’Elia Weaves Latina Activism into Comedy by Patricia L. Morin The premise of “Overlooked Latinas” is brilliant. Tina D’Elia spotlights the political power of famous 1930s to 50s Latina movie stars in her gripping solo show about Angel, an aspiring lesbian TV writer. As Angel the…
Paula Vogel Tells HerStory of Tyrannical Father vs. Women Rebels by Barry David Horwitz Paula Vogel’s “Indecent” holds Sholem Asch’s play “God of Vengeance” tightly in its heart, carrying it from the Jewish ghetto in 1906 Poland to its fateful future in 1923 at New York City’s Yiddish Theater. Seven superb actors play the…
Irma Herrera Tells HerStory with Wit & Insight by Cynthia K. Lopez In the U.S., why do we think it’s okay to mangle a person’s name or assign them an entirely new one, if the original is hard to pronounce? Civil rights attorney, social justice advocate, journalist, and playwright, Irma Herrera, asks, “Why would…
Shana Carroll Invites Us to Join a Theater Revolution by Patricia L. Morin “Passengers,” written, directed, and choreographed by Shana Carroll, entices us to care about the performance artists on stage. We feel for the lady tying herself up in long, silky cloth ribbons high above us, then sliding suddenly back to earth—as we…