Millennial Notes Lin-Manuel Miranda Revives Revolution in Living Color by Evelyn Arevalo The touring company of “Hamilton” in San Francisco boasts an exciting diversity of singers and dancers. Much like the Bay Area, the cast is multi-cultural and phenomenal—like Lin-Manuel Miranda’s musical, itself. Miranda’s ground-breaking show about the American Revolution—in rap, jazz, and ballad–has…
Neil LaBute Parallels 9/11 Attack & Lovers’ Psychodrama by Patricia L. Morin “The Mercy Seat,” under the creative direction of Allie Bailey at Los Altos Stage Company, cleverly exposes a caustic relationship between a younger man and an older woman. And she is his boss. Playwright Neil LaBute highlights gender differences that spill over…
Mark St. Germain’s Dr. Ruth: Refugee, Sniper, Sex Guru by Patricia L. Morin Cinnabar Theater introduces us to Dr. Ruth, a lively, four-foot-seven, 69-year-old, matronly immigrant woman who boldly asserts: “People don’t look at the elderly as sexual beings.” Karola Ruth Siegel was born in Germany in 1928, to Orthodox Jewish parents. She faced…
Millennial Notes Sholem Asch’s Shocker Exposes Father, Boss, Brothel by Ian Waters Consider a man so fearful of God that he attempts to inscribe the same fear into women under his control—his wife, his daughter and the “working girls” in the brothel he owns, downstairs. What happens when this man, Yankl (Roni Alperin), loses…