Lucas Hnath Explores What We Owe to Ourselves & What We Owe to Others by Patricia L. Morin In 1879, Ibsen’s Nora Helmer escaped the suffocating “doll’s house” with all its restrictions, where she was often treated like a child. She left behind Torvald, her condescending husband; Anne Marie, her faithful nanny; and her…
Jessica Huang’s Poetic Play Exposes Asian Immigrant Abuse by Barry David Horwitz Jomar Tagatac plays Harry Chin with subtle and moving emotion, turning simple moments into stage gems. Harry emerges as a Chinese American who has learned too well the immigrants’ lessons of concealment, silence, and guilt—even though he obediently follows U.S. immigration rules….
Don Reed’s Wit & Brilliance Charm Hometown Crowd by Jennifer Ann Charron Don Reed truly does it all. Star of TV and film, he writes, acts, produces, directs, and does standup comedy—all with great presence and indisputable warmth. His solo show at The Marsh, San Francisco called “Going Out” is simply sidesplitting: Reed’s grace…
Gogol’s Satire Highlights How Self-Deception Fuels Greed by Patricia L. Morin Jeffrey Hatcher’s adaptation of Nikolai Gogol’s 1836 comedy delights us with satire of small-town tyranny. In a Russian town, a panicked Mayor (versatile Steve Price) finds out from a letter that a Government Inspector will arrive “incognito.” The undercover Inspector will audit how…